Henry Ate Returns with New Single “Ethel Jones”
South Africa’s iconic 90s alt-pop band Henry Ate has returned with a new single, “Ethel Jones,” marking another meaningful chapter in their musical journey. The track bridges decades and continents, connecting lead singer Karma-Ann Swanepoel in the U.S. with Julian Sun in Johannesburg. Fans of the band will recognize the familiar chemistry that has defined Henry Ate for nearly three decades, combining heartfelt lyrics with intricate instrumentation. “Ethel Jones” reflects the band’s ability to remain relevant while staying true to their signature sound. The release also demonstrates how Henry Ate continues to evolve without losing the emotional depth that made them beloved.
The single was produced by original Henry Ate guitarist Kevin Leicher, ensuring a sound that is both fresh and distinctly familiar. With urgent acoustic guitar, driving bass, and the signature ache in Karma’s voice, the song captures themes of love, loss, and the quiet passage of time. Each note feels deliberate, building a mood that is reflective yet compelling. The combination of nostalgia and contemporary resonance gives “Ethel Jones” a timeless quality. Listeners are drawn into the song not just by melody, but by the emotions behind the words and instrumentation.
Julian Sun elaborates on the song’s depth, saying, “Like so many of Karma’s songs, its beauty hides something sadder underneath. With lyrics such as ‘While the world keeps moving at its own damn pace / mine began to slow as I lost my grip and you let go,’ you may not know exactly what she’s singing about, but you feel it.” The honesty in the lyrics is paired with musical arrangements that accentuate both vulnerability and strength. Fans can sense the raw emotion and authenticity that have become hallmarks of Henry Ate’s music. The song does not chase commercial trends, but instead prioritizes emotional resonance, making it a standout in the band’s discography.
Henry Ate’s enduring appeal is evident as all forthcoming shows are already sold out, proving that their music continues to connect with audiences old and new. “Ethel Jones” reaffirms why the band has remained a fixture in South Africa’s music scene for nearly thirty years. It combines reflection, intensity, and a sense of intimacy that few modern alt-pop tracks can match. The song is now available on all digital platforms, offering listeners an opportunity to experience the band’s evolving sound. Henry Ate continues to demonstrate that their music is created not for charts or radio spins, but for the love of the art and its impact on fans. The release cements their status as one of South Africa’s most enduring and influential bands.
