Brian Chaplin Launches Amadé With Debut Single “Hell or High Water” Featuring Locnville

Brian Chaplin is entering a bold new chapter in his music career with the launch of Amadé, his solo electronic music project, and the release of his debut single, “Hell or High Water.” Best known as one half of the internationally acclaimed South African duo Locnville, Chaplin is now exploring a more focused passion for melodic house and electronic dance music. The new project gives him an opportunity to experiment with a different sound while drawing on the production and performance experience he has developed throughout his career. “Hell or High Water,” featuring Locnville, introduces Amadé as a project built around energetic rhythms, emotional melodies and detailed electronic production. The release marks an important creative shift for Chaplin while also showing that his musical ambitions extend well beyond the work that first made him famous.
For listeners familiar with Locnville, Amadé represents a new perspective on an established artist. Chaplin has spent years performing and creating music as part of the duo, building an international following through their distinctive approach to contemporary music. His decision to establish a solo electronic project allows him to explore a genre that has become an important part of his creative interests. Melodic house gives him room to focus on atmosphere, rhythm, synth textures and the emotional power of repetition. Rather than treating the project as a departure from everything he has done before, Chaplin is using Amadé to develop another side of his musical identity.
“Hell or High Water” provides the first clear introduction to that identity. The track combines uplifting chord progressions with a driving rhythmic pulse and expressive synth lines that give the production an energetic quality. At the same time, the song maintains an emotional character that prevents it from becoming simply a club-focused release. Its melodic structure makes it accessible for listeners who enjoy electronic music while giving the track enough energy to work on a dancefloor. The result is a debut that aims to balance movement, melody and emotion without losing the immediacy required of a modern dance record.
A particularly important element of the song is the relationship between its vocal hook and synth melody. Chaplin explains that one of his favourite aspects of the production is how the hook continues throughout the track, first appearing through the vocal and then returning through the synth line. This repetition gives the central melody a strong presence and helps create a sense of continuity within the arrangement. Instead of treating the vocal and instrumental sections as completely separate elements, the production allows them to reinforce each other. That approach gives “Hell or High Water” a distinctive musical thread and highlights the attention Chaplin is placing on arrangement and sonic detail.
Chaplin has also identified this interaction between vocals and synths as a creative idea he expects to explore further. He describes the connection between the sung melody and the electronic response as something that resonated strongly with him during the production process. The approach could become one of the recurring characteristics of Amadé as the project develops and future releases begin to take shape. Establishing such a musical thread early can help give a new electronic project a recognisable identity. For listeners, it also creates an indication of what they might expect from Chaplin as he continues experimenting with melodic house.
The involvement of Locnville adds another interesting dimension to the debut. While Amadé is designed to provide Chaplin with a distinct solo platform, featuring Locnville connects the new project to the musical partnership that has played such an important role in his career. The collaboration allows him to explore a new electronic direction without completely disconnecting from the sound and history that audiences already associate with him. It also gives longtime Locnville listeners a natural entry point into the Amadé project. At the same time, the electronic production places the collaboration in a different setting and introduces a fresh interpretation of Chaplin’s creative abilities.
The release also reflects Chaplin’s broader interest in melodic house and dance music. Electronic music can offer producers considerable freedom to manipulate rhythm, texture and atmosphere, and Amadé appears designed to take advantage of that flexibility. The emphasis on melodic hooks means the project can appeal to listeners who want more than a functional club track. “Hell or High Water” is built to work in a high-energy setting while remaining suitable for repeated listening outside the dancefloor. That balance could become an important part of the project’s appeal as Chaplin continues refining his sound.
Launching Amadé after years of international success with Locnville also demonstrates the value of creative evolution in an established career. Artists often reach a point where they want to explore ideas that do not necessarily fit within their primary projects. A solo platform can provide the freedom to experiment with different genres, production techniques and songwriting approaches without having to define every creative decision through an existing group identity. For Chaplin, Amadé offers precisely that opportunity. It gives him space to develop a sound that is more directly connected to his personal passion for electronic music.
“Hell or High Water” therefore serves as more than a debut single. It establishes the foundations of Amadé through its melodic focus, energetic production and emphasis on the connection between vocals and synthesised melodies. The track also introduces a project that could develop significantly as Chaplin experiments with new sounds and collaborators. His experience with Locnville provides a strong creative foundation, while his interest in melodic house gives the new project a clear musical direction. The combination creates a promising starting point for an electronic music journey that is still in its early stages.
With “Hell or High Water” now available on major streaming platforms, listeners have their first opportunity to experience Brian Chaplin’s vision for Amadé. The release demonstrates his willingness to step outside his established creative identity and pursue a sound that reflects another side of his musical interests. Featuring Locnville while maintaining a strong electronic foundation, the single connects his past experience with his new direction in a natural way. As Amadé develops, Chaplin has the opportunity to build a distinct identity within the melodic house and dance music space while continuing to draw on the skills that have shaped his career. “Hell or High Water” makes it clear that this is not simply a change of genre, but the beginning of a new creative chapter for one of South Africa’s experienced musical talents.
Stream Hell or High Water HERE



