Sibu Nzuza Releases Four-Track EP ‘Mah, I’m on TV’, Showcasing His Evolving Afro Alternative Sound
South African singer, songwriter and producer Sibu Nzuza is giving listeners a closer look into his creative world with the release of his latest EP, ‘Mah, I’m on TV’. The four-track project arrived on 16 October 2026 under independent label Werfy Academy, bringing together different elements of his musical identity in a focused listening experience. Blending contemporary Afrobeat, R&B and traditional Nguni influences, the EP highlights an artist who continues to explore new creative possibilities. It also places collaboration at the centre of his approach, bringing together members of his close production circle to shape the final recordings. With four distinct tracks and a total runtime of 14 minutes and 24 seconds, ‘Mah, I’m on TV’ offers an introduction to the sounds, influences and creative relationships currently defining Sibu Nzuza’s music.
The new EP marks another important release in the development of Sibu Nzuza as a multifaceted South African musician. His work extends beyond performing as a vocalist, with songwriting, production and multi-instrumental skills forming part of his creative identity. This broader involvement allows him to approach music from different perspectives, from developing initial melodies and lyrical ideas to shaping the production behind each recording. His sound draws from contemporary African music while maintaining connections to traditional Nguni influences. These elements give his music room to move between different styles without losing its cultural grounding.
‘Mah, I’m on TV’ was released through Werfy Academy and distributed globally by The Orchard Enterprises. The project brings together four songs that showcase different aspects of Nzuza’s musical direction. Rather than presenting an extended collection, the EP offers a compact selection of material that allows each track to contribute to the overall listening experience. The release also reflects the importance of the creative relationships surrounding his music, with collaborators playing an active role in bringing the songs to life. For listeners who have followed his development, the project provides another opportunity to explore his artistic growth and evolving sound.
Sibu Nzuza first attracted national attention as an emerging artist associated with Ambitiouz Entertainment, an independent South African record label known for developing local musical talent. His time in the spotlight helped introduce his work to a wider audience and provided an important foundation for his subsequent creative journey. Since then, he has continued developing his identity beyond the role of a recording artist. His interests in songwriting, music production and instrumentation have allowed him to explore different ways of creating and presenting music. ‘Mah, I’m on TV’ reflects this broader approach by highlighting both his individual artistry and the collaborative process behind his recordings.
The EP opens with ‘Maluju’, a two-minute-and-31-second track that holds particular significance for Nzuza. The artist has identified it as one of his personal favourites, giving the opening song an added connection to his own creative experience. Co-produced with Kitie, the track introduces the Afro alternative direction that runs through the project. Its position at the beginning of the EP makes it the first opportunity for listeners to experience the musical atmosphere Nzuza has developed for this release. It also establishes an important connection between his individual creative vision and the collaborative production approach that shapes the four-track collection.
The involvement of Kitie on ‘Maluju’ highlights the importance of collaboration within Nzuza’s music-making process. Producing a song alongside another creative can introduce different perspectives and help develop ideas beyond their original form. For an artist who is also involved in production, these partnerships offer opportunities to experiment while maintaining control over the broader musical direction. The result is a track that contributes to the EP’s Afro alternative identity while showcasing the value of working with trusted creative partners. As the opening song, ‘Maluju’ sets the tone for a project that places musical exploration and collaboration at its centre.
The second track, ‘Manje’, runs for three minutes and 56 seconds and brings an additional connection to South African entertainment. The song serves as the outro music for the South African production ‘Homecoming’, meaning some listeners may already recognise it from their experience of watching the show. Music used in television productions can introduce artists to audiences who might not otherwise encounter their recordings through traditional music discovery channels. An outro track also has a specific role within a production, helping establish the atmosphere as an episode or story comes to an end. For Sibu Nzuza, the inclusion of ‘Manje’ on the EP creates an opportunity to bring that existing connection into a wider musical context.
The placement of ‘Manje’ within ‘Mah, I’m on TV’ also demonstrates how an artist’s music can move between different entertainment platforms. Streaming services remain important for discovering new releases, but television placements can provide another route for reaching listeners. When audiences connect with a song through a show, they may become interested in exploring the artist’s wider catalogue. Including ‘Manje’ on the EP gives those listeners an opportunity to revisit the track while discovering the other songs surrounding it. It also strengthens the relationship between Nzuza’s music and the broader South African entertainment landscape.
The third offering, ‘Leli Zulu’, has its own interesting creative history. Running for two minutes and 48 seconds, the track had already attracted attention from some of Nzuza’s social media followers before its inclusion on the EP. The artist previously shared a video showing an early version of the song’s project file in FL Studio, offering a glimpse into its development. FL Studio is widely used by music producers to create beats, arrange compositions, record elements and develop complete musical productions. Sharing an early project file gave followers an opportunity to see part of the creative process rather than only hearing the finished recording. Its eventual appearance on ‘Mah, I’m on TV’ brings that earlier preview into the context of a complete release.
This connection between social media and music production offers an interesting perspective on how emerging artists can involve their audiences in their creative journeys. Instead of keeping every stage of a song’s development private, musicians can share selected moments from their recording sessions and production experiments. Such glimpses can help listeners understand the work involved in creating a finished track. In Nzuza’s case, the earlier FL Studio video provided a preview of ‘Leli Zulu’ before its official inclusion on the EP. This makes the track particularly interesting for followers who have been paying attention to his creative updates.
The project concludes with ‘Awushongo’, the longest track on the EP at five minutes and five seconds. Its position at the end gives the four-song collection a final musical chapter after the shorter opening and middle tracks. Although the EP’s overall listening time is relatively brief, the closing track accounts for a substantial portion of its runtime. Its inclusion helps bring the project to a complete conclusion while adding another dimension to the selection of songs. Together with ‘Maluju’, ‘Manje’ and ‘Leli Zulu’, it forms part of a collection designed to showcase different sides of Nzuza’s evolving musical identity.
Across its 14 minutes and 24 seconds, ‘Mah, I’m on TV’ offers a concentrated look at Sibu Nzuza’s current creative direction. The four songs have different backgrounds and connections, ranging from a personal favourite and a television outro track to a composition previously previewed through social media. This variety gives the EP an identity that extends beyond its Afrobeat, R&B and Nguni influences. It also highlights the different ways music can develop, from initial production ideas to collaborations and eventual releases. Rather than attempting to cover every aspect of his musical journey, the project captures a specific moment in his artistic development.
One of the most interesting aspects of Sibu Nzuza’s approach is the way he combines different musical responsibilities. Being a vocalist, songwriter and producer gives him opportunities to contribute to multiple stages of a recording. His multi-instrumental abilities add another dimension to this process, allowing him to approach music-making with a broader understanding of sound and arrangement. Working with collaborators such as Kitie also shows that his creative process remains open to outside input. This balance between individual expression and teamwork is an important part of the identity presented on ‘Mah, I’m on TV’.
The release also arrives at a time when South African artists continue to explore different ways of combining local musical traditions with contemporary international sounds. Afrobeat, R&B and alternative African music offer opportunities for experimentation, particularly when artists draw from their own cultural backgrounds. Traditional Nguni influences provide another layer to Nzuza’s musical identity, connecting his work with a wider cultural and linguistic heritage. This combination allows him to explore contemporary production without completely separating his music from its roots. For listeners interested in South African alternative music and emerging African sounds, his latest EP offers another project worth exploring.
‘Mah, I’m on TV’ represents another step forward for Sibu Nzuza as he continues developing his identity as a South African singer, songwriter and producer. The four-track EP brings together personal favourites, collaborative productions and songs with existing connections to television and social media. Its Afro alternative direction reflects his interest in combining contemporary Afrobeat and R&B influences with traditional Nguni elements. Released through Werfy Academy on 16 October 2026 and distributed globally by The Orchard Enterprises, the project gives listeners a compact introduction to his latest creative work. With its four distinct tracks and collaborative approach, ‘Mah, I’m on TV’ offers a snapshot of where Sibu Nzuza is musically while leaving room for further exploration in the future.
Stream Mah, I’m on TV HERE
